All upcoming World Art History Certificate: Electives programs

Art played a pivotal role during the dawn of European natural history in the 16th and 17th centuries. Advancements in scientific technology, trade, and colonial expansion allowed naturalists to study previously unknown and overlooked insects, animals, and other beestjes: “little beasts” in Dutch. Curators of the National Gallery of Art’s exhibition “Little Beasts: Art, Wonder, and the Natural World,” share an exhibition overview and a closer look at the artists and ideas that it highlights. (World Art History Certificate elective, 1/2 credit)

The island of Murano has remained the heart of Venetian glassmaking since the late medieval period. Today, a blend of centuries-old traditions and contemporary experimentation keeps this extraordinary art form alive. Art historian Jennie Hirsh traces the rich history of Murano glassmaking, examines influential modern artisans and workshops, and offers insights into the best places in Venice to experience glass artistry today. (World Art History Certificate elective, 1/2 credit)

The year 1492 is a defining moment in history, marked by groundbreaking discoveries and artistic innovation that reshaped the world. From Christopher Columbus’ voyage to the achievements of Leonardo da Vinci and Albrecht Dürer, discovery and innovation sparked a period of unprecedented creativity. Renaissance art historian Elaine Ruffolo examines how the convergence of exploration, scientific progress, and artistic mastery shaped a transformative age of cultural and intellectual growth. (World Art History Certificate elective, 1/2 credit)

Constructed in 1299, Palazzo Vecchio was built to be the town hall of Florence. Although it remains a symbol and center for local government, Palazzo Vecchio is now a museum that is home to frescoes by Giorgio Vasari and Domenico Ghirlandaio as well as statues by Michelangelo, Donatello, and Giambologna. Italian Renaissance art expert Rocky Ruggiero highlights this lesser-known museum that has become a symbol of Florence. (World Art History Certificate elective, 1/2 credit)

Experiment with painting styles such as Cubism, Suprematism, and Abstract Expressionism to learn practical applications of the concepts and techniques of Modernism. Move beyond the basics to discover and develop your unique visual language. (World Art History Certificate elective, 1/2 credit)

Czech glassmaking has captivated the world for centuries. What began in the medieval regions of Bohemia and Silesia has evolved into a world-renowned tradition celebrated for its artistry and innovation. Art historian Jennie Hirsh explores the development of Czech glassmaking, the distinctive techniques that define it, and the wide range of luxury objects that artisans produce. She also offers a virtual tour of the Ware Collection of Blaschka Glass Models of Plants at Harvard University. (World Art History Certificate elective, 1/2 credit)

From the 8th to the 14th centuries, Andalusia—Spain under Muslim rule—flourished as an artistic, cultural, scientific, and intellectual hub for the Mediterranean world. Jewish, Christian, and Islamic artisans, translators, philosophers, architects, and scientists all contributed to a vibrant cultural exchange. Art historian Louisa Woodville discusses the region’s artistic legacy and this unique convergence of influences. (World Art History Certificate elective, 1/2 credit)

Smithsonian Associates speaker Paul Glenshaw returns to the Art + History series to look at great works of art in their historical context. He examines Gilbert Stuart’s George Washington (Lansdowne Portrait) from 1796, one of the most-recognized paintings in American art and history. He reveals how two completely opposite personalities came together to create the powerful image: one that reflects Stuart’s remarkable ability to capture a subject’s inner life and the often-overlooked complexity of Washington himself. (World Art History Certificate elective, 1/2 credit)

This course examines fundamental concepts of composition and their practical application in art practice, offering participants tools to enrich their work as well as to analyze and appreciate visual art in general. (World Art History Certificate elective, 1/2 credit)

Throughout her long career as a sculptor, painter, and printmaker, Elizabeth Catlett (1915–2012) celebrated and memorialized Black people—especially Black women. Her philosophy was that “art should come from the people and be for the people,” and she helped to shape the aesthetics of the Black Arts Movement of the 1960s and 1970s. Michele L. Simms-Burton, a former professor of African American studies, examines why Catlett was among the most formidable artists of the 20th century. (World Art History Certificate elective, 1/2 credit)